Last Saturday I had an amazing afternoon at House of Illustration, running a family workshop based on ALPHONSE, THAT IS NOT OK TO DO! After a quick reading, we did some giant collaborative adventure drawing – just like Natalie and Alphonse do in the book. Highlights included Natalie and Alphonse on their five-wheeled motorbike:
Squirrel and treehouse worlds joined by ladders, and a majestic giant bee
featuring cup-holder, chips-holder, sound system, umbrella and MANY SHOES.
Next it was time for monster puppets: here are just a few of one family’s horde.
We started with corrugated paper finger puppets, with all manner of multiple heads, horns, tongues, wings and other appendages.
There was even one with eyes on accordion stalks.
It’s interesting running events at House of Illustration because the great facilities and unusually long workshops mean you can plan more extended, open-ended activities, so I’d prepared various kinds of puppets to experiment with. There were accordion-beasts inspired by Chinese dragon stick-puppets, of which this was definitely the longest.
And this one has a wonderful expression.
There were also puppets with moving wings, mouths, arms or eyebrows made using split pins, but I seem to have no pictures of those. At least I can show you this brilliant new thing: a box-mouth monster with a monster baby inside, operated by hidden lolly stick!Some people even got around to building theatres – I bet some ace plays were staged once they got them home…
Tag: animals
Advent jam the third!
Ho-HO! It is that time of year again when Becky Palmer and I start a day late on our gloopy pot of Christmas comic jam and continue posting a panel a day (sometimes with gaps and gluts) throughout advent. If your toast needs MORE jam, you can catch up with our 2013 and 2014 comics here or on Becky’s blog, and ahem well I’m to go first:
Prints for Material
Material of Shoreditch, London, recently began selling a range of my little screenprints. The prints feature monkeys and blackbirds – some based on the same drawings as previous monkeys and some I was trying as prints for the first time.
The monkeys come in various colour combinations and think about various things.
Bunnies with lipstick, antiques
Yesterday at House of Illustration, in a workshop I’d been scheming about for months, a group of children created a whole new system based on Isabel’s cardboard boxes in The Girl with the Parrot on her Head. I’ll post more about this workshop but just wanted to share the giant mural right away, as it made me so happy to see the system so brilliantly reinvented (to enlarge, click on the image above and click again when it reappears).
Velopresso beasts on bikes
Last year my friends at Velopresso asked me to draw them a horde of cycling animals, people and beasties-in-general to decorate one of their beautiful pedal-powered coffee trikes. Trike 001 was recently launched during Bespoked in Bristol, where Velopresso also won the Constructors’ Challenge prize – HURROO!
I haven’t seen it with my own eyes YET but I love the photos (more on Velopresso’s facebook page). The designer did a brilliant job arranging the crowd.
Bicycles are quite hard things to draw – not so bad as horses maybe (so many knees! On backwards!), but getting all the legs on the pedals? When the legs may be very short and belonging to pigs or sheep? Ach! I was afraid Velopresso, who clearly have an exemplary understanding of bicycle construction, would want drawings in better working order than I’d be able to muster – but luckily they were very supportive of skrunkiness and wrongness. I don’t know that my bike-drawing skills are much improved, but my repertoire of cyclists has certainly grown. Bring on the unicycling horse.
I must have drawn over 100 beasties or groups as I submitted about 70; I keep losing count, but I think there are 31 drawings on the final trike. Here are a few constituent beasts:
If you’d like to meet a Velopresso in real life it’s probably best to follow them on Twitter or Facebook.