The Girl with the Parrot on her Head – on stage!

I recently discovered that La Compagnie El Triciclo, based in Montpelier, have created a theatre production based on Peut-on mettre un loup dans un carton? (the French edition of The Girl with the Parrot on her Head, published by Albin Michel). Juliette Mouchonnat directs and acts in the show, which features tabletop puppets, shadow puppets, pop-ups and original music. I think it looks magic. I especially love the wolves at the end of this trailer:
It’s incredible to see someone else take my story and make something new from it, and something so creative and exciting. I don’t know if everyone who makes books sometimes imagines them being transformed into films, plays or tv but I do: strangely, I always thought that in my wildest dreams puppet theatre would be the best medium for The Girl with the Parrot on her Head.
The space station

 

I only wish I could go and see it! Or that it could come here… If you happen to be near Montpelier, there should be more performances from April 2018.

Many thanks to Cie. El Triciclo for permission to repost their pictures and trailer. Peut-on mettre un loup dans un carton? is available from Albin Michel.
Peut on mettre un loup dans un carton?

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Hilda in paperback!

I made this gif to celebrate the paperback edition of Hilda and the Runaway Baby. I’ve only just found out you can animate in Photoshop and this is the first animation I’ve made in years. So much fun.
Hilda and the Runaway Baby paperback book
In other Hilda-news, Beijing Cheerful recently published Hilda (and The Girl with the Parrot on her Head) in simplified Chinese!
Hilda and the Runaway Baby Chinese edition

 

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Once I was a child, sometimes I was a rabbit

Portraits of the artist as a young rabbitLast autumn the Shanghai International Children’s Book Fair (CCBF) invited me to make some pictures for the Chen Bochui Illustration exhibition. The theme of the exhibition was ‘Once I was a child’ and being short of time I decided to interpret this very simply. I did some doodling about my own childhood and the thing that kept coming up was RABBITS: toy rabbits, real rabbits, rabbits in books, drawing rabbits,being a rabbit, eating rabbit food… I really did like rabbits.

This screenprint shows the best of my several rabbit costumes, which was a turquoise towelling hoodie with foam ears sewn on by my mum. It felt quite strange and self-indulgent to make a character so directly based on myself.

I also made a print about playing rabbit football with my brother (no actual rabbits harmed – or involved – in the playing of this game) and the two were shown during the fair in November alongside work by over fifty illustrators from 13 countries – so it was lovely to hear my pictures had been given second prize!

All the pictures are now part of the collection of the Baoshan International Folk Art Museum: their website shows all the winning artwork and some information on the exhibition.

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BIB and Migrations exhibitions

This week the Biennial of Illustrations (BIB) opens in Bratislava. Amazingly, IBBY UK and ICPBS (International Centre for the Picture Book in Society) have chosen to include The Girl with the Parrot on her Head in the UK submission. From The Girl with the Parrot on her Head
Each country puts forward up to 15 illustrators and work from all the nominated books will be exhibited from 9th September to October 29th at the Slovak National Museum. Some people will win golden apples and other prizes, but those sound extremely bad for your teeth – probably best just to be in the exhibition?

ICPBS and IBBY have also organised two exhibitions at BIB which aim to raise awareness of the experiences of child migrants. The Migrations exhibition is made up of over 300 postcards featuring images of birds and messages from illustrators from all over the world (including mine, below).
Postcard for Migrations exhibitionIf, like me, you can’t make it to Bratislava you can explore the postcards and messages in this interactive map (mine’s pinned to Birmingham so I think it must be done by postmark). The exhibition is expected to tour after BIB. Worcester University Illustration tutors have also created (larger) new work on the theme of Migrations.

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Natalie and Alphonse at Greenwich Book Festival

Photo by Andrew Porter PhotographyOn May 27th I caught the boat to Greenwich Book Festival where I read ALPHONSE, THAT IS NOT OK TO DO! to the excellent people pictured (and excellent others) and then let them loose on the googly eyes and double-sided tape, leading to Most Excellent Fantastic monster finger puppets. There was much innovation in the areas of spots and extending grab-hands. Thanks to Andrew Porter Photography for the brilliant photos, to Greenwich Book Festival and everyone who came.
Photo by Andrew Porter PhotographyPhoto by Andrew Porter PhotographyPhoto by Andrew Porter PhotographyPhoto by Andrew Porter PhotographyPhoto by Andrew Porter PhotographyAll photos © Andrew Porter 2017

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